Form Entry #6055

a:12:{s:6: »prenom »;s:7: »Filippo »;s:3: »nom »;s:10: »Turkheimer »;s:14: »date_naissance »;s:10: »09/12/1998″;s:10: »instrument »;a:1:{i:0;s:8: »Baritone »;}s:8: »audition »;a:1:{i:0;s:46: »Schola Cantorum Basel (Switzerland) 20/01/2024″;}s:5: »email »;s:28: »filippo.turkheimer@gmail.com »;s:9: »telephone »;s:0: » »;s:6: »niveau »;s:43: »BA Gesang (Universität Mozarteum Salzburg) »;s:10: »biographie »;s:2763: »!VIDEO LINK HERE!: https://youtu.be/XRMdNI5ht8o?si=359mJGJyjhTWr1_W

The British-born Italian baritone Filippo Turkheimer is studying with tenor Christoph Strehl at the Universität Mozarteum. He studied privately with David Kempster and Robert Dean, and has recently participated in Masterclasses with artists including Brigitte Fassbaender, Robert Holl and Andreas Scholl. Prior to his studies in Salzburg, he read Music both at undergraduate and postgraduate level at New College, University of Oxford, where he was awarded both academic and choral scholarships. He was a member of the internationally-renowned Choir of New College, Oxford under Robert Quinney, and held a performing scholarship with the Oxford Bach Soloists for their 2018/19 season. He is Founder and Artistic Director of Il Gioismo, an emerging collective of singers and period instrumentalists, based in Salzburg.

Next summer, he will sing the role of ‘Count Almaviva’ in Le Nozze di Figaro (W. A. Mozart) with the Opera Studio of Mozarteum, conducted by Gernot Sahler. He made his German house debut at the Immling Festival this year, performing the roles of ‘Dandini’ in La Cenerentola (G. Rossini) and the ‘Kapadozier’ and ‘Fünfter Juden’ in Salome (R. Strauss). Other operatic roles include ‘Elviro’ in Handel’s Serse (2019) and ‘Don Villotto’ in Haydn’s La Vera Costanza (2020), both as part of New Chamber Opera (directed by Michael Burden). As a boy treble, he participated in over seventy performances at the Royal Opera House, Covent Garden, both as a soloist (Tosca, Gianni Schicchi and Die Zauberflöte) and as a chorus member.

He is also passionate about Lieder and, at Mozarteum, receives lessons with Pauliina Tukiainen, Donald Sulzen and Alessandro Misciasci. He participated in this year’s Internationaler Schubert- Wettbewerb in Dortmund. He performed as the baritone soloist in a performance of R. Vaughan-Williams’s ‘A Sea Symphony’ with the Staatskapelle Dresden, and last year sang J. Brahms’s ‘Requiem’ as a soloist with the Mozarteum Choir and Orchestra, conducted by Jörn Andresen.

A avid baroque singer, he regularly performs with ensembles including Instruments of Time and Truth (Edward Higginbottom), Utopia (Teodor Currentzis), the Andreas-Höfer-Gesellschaft (Jörn Andresen) and the Salzburger-Bach-Gesellschaft. He has performed as a soloist with ensembles including St James Baroque, His Majesty’s Sackbutts and Cornetts, New College Choir, Oxford Bach Soloists and Capella dell’Halla, and recently worked with conductors including Howard Arman and Lionel Meunier. Future plans include solos in D. Buxtehude’s ‘Membra Jesu Nostri’ directed by renowned Viola-da-Gamba player Vittorio Ghielmi. »;s:8: »feedback »;s:6: »Friend »;s:15: »type_formulaire »;s:20: »inscription_jobe2024″;s:12: »upload-video »;s:0: » »;}