Form Entry #5786

a:12:{s:6: »prenom »;s:6: »Kieran »;s:3: »nom »;s:7: »Cremins »;s:14: »date_naissance »;s:8: »02012000″;s:10: »instrument »;a:1:{i:0;s:14: »Clavecin/Orgue »;}s:8: »audition »;a:1:{i:0;s:29: »CRR Paris (France) 08/01/2024″;}s:5: »email »;s:24: »kieranmcremins@gmail.com »;s:9: »telephone »;s:10: »0753626758″;s:6: »niveau »;s:64: »Je poursuis une diplome de concert a la Schola Cantorum de Paris »;s:10: »biographie »;s:1869: »Trained originally as a composer and pianist, I since learned Organ and Harpsichord. I always maintained an ardent interest in the history of music, in discovering near-forgotten masterworks. Home-bound in the pandemic, I did an enormous amount of listening, and I found myself especially drawn to the Baroque, imagining that someday I would be able to play in a group like Cafe Zimmerman, Les Arts Florissants, Capella de la Torre, L’Arpeggiata, or Le Poeme Harmonique. For me the absolute best of early music is the start of the Baroque, from the beginning of the seventeenth to the beginning of the eighteenth century. Of course the mature Baroque of Bach and Handel and Scarlatti is really something to admire, but there’s something so piquant about the music created before the rhetoric was really formalized in the first decades of the 1700s. From the earliest opera and monody composers up through the time of Gabrieli and Schutz, I have a sense that everyone who was writing music was doing their own experiments, finding their own peculiar language, and this individuality allows us to look straight into the heart of each composer. So much of the music from this time has a very raw emotion. I love the simple plaintiveness the choruses from Carissimi oratorios, or Gagliano’s la daphne, or Couperin’s Lecons de Tenebres, for example. In so many of these operas and oratorios, it just feels like the singers are saying ‘look straight into my soul, here is all of my passion’. Sometimes its a passion for a lover, sometimes for god, sometimes for a memory, but it is always unabashedly honest and direct. For years I’ve been playing baroque music and trying to convince other people to play with me, but it’s not so much a living tradition in America, so I have come to study in Europe hoping to realize my dream of sharing this tradition with other musicians. »;s:8: »feedback »;s:20: »Online Advertisments »;s:12: »upload-video »;a:1:{i:0;s:129: »https://www.jobe.info/wp-content/uploads/jobe2024_video/wpcf7_drag-n-drop_uploads/jobe2024_video/Stanley-Voluntary-opus-9.7-1.mp4″;}s:15: »type_formulaire »;s:20: »inscription_jobe2024″;}