Admissions
JOBE 2026
Admissions
Selection process
The registration start on 18/11/2024
Selection process
The admission to the JOBE 2025 takes place as follows:
1. Registration
Fill in the form (untill 14/12/2025 included)
2. Selection for the auditions
Announcement of the musicians selected for the auditions by email on 22th December 2025.
3. Auditions
In one of our partner conservatoires/places (Paris, Lyon, Geneva, Brussels, Den Haag, Barcelona)
5. Final result
Announcement of the musicians selected for the JOBE 2026 on 16th February 2026.
Rules of registration
- Studies: to be registered in a conservatory of music (CRR, CNSM, Pôle supérieur, high music school,…) or graduated in 2025 (Bachelor, Master).
- Minimum musical studies level:
For strings : to prepare the DEM (Diplôme d’études musicales) /or/ equivalent /or/ student on bachelor .
For singers and other instruments : to be graduated with the DEM (Diplôme d’études musicales) /or/ equivalent /or/ student on bachelor .Regarding level, an exemption can be allowed by referal from the Director of your conservatory.
- Video: To facilitate the pre-selection process for the auditions, please send a video of one piece chosen from the four required pieces (you may record it with a smartphone or computer, solo without accompaniment possible).
See below, in the “AUDITION PROGRAM” section, the list of required pieces for your voice/instrument and the corresponding scores. - Registration fee: €20
These fees help us cover the costs of organizing the registration and audition process, allowing us to reach as many locations across Europe as possible (jury travel and accommodation, application processing and review, accompanists’ fees, personalized feedback from the jury after the audition, etc.). Thank you for your understanding 🙏 - Deadline to apply : 14th December 2025 included
- Travel costs to attend the audition at your charge.
- If admitted, accommodation, food and transport during the JOBE 2026 will be covered and concerts will be remunerated according to the SYNDEAC scale (165€/cachet/concert).
Audition programme
One piece out of the four for the application (inscription with video)
All pieces for the audition
- Soprano
Acte I – Scène : The Palace
Dido AND Belinda – « Whence could so much virtue spring » (bar 1 to 25)Acte II – Scène : The grove
Belinda – « Thanks to these lone some » (bar 11 to 34)Acte II – Scene : The cave
First witch – « But e’re we this per form » (bar 1 to 30)Acte III – Scène : The ships
Dido – « When I am laid » (bar 14 to 54) - Mezzo-soprano
Acte I – Scène : The Palace
Dido – « Whence could so much virtue spring » (bar 1 to 9 and 15 to 25)
Acte II – Scène : The caveSorceress – « Wayward sisters » (bar 17 to 34)
Acte III – Scène : The ships
Sorceress – « Our next motion » (bar 20 to 38)Acte III – Scène : The ships
Dido – « When I am laid » (bar 14 to 54) - Alto (male)
Acte II – Scène : The cave
Sorceress – « Wayward sisters » (mesure 17 to 34)
Acte II – Scene : The caveSecond witch – « But ere we this perform» (the entire piece)
Acte II – Scene : The grove
Spirit – « Stay, prince » (bar 1 to 18)Acte III – Scene : The ships
Choir countertenor voice – « With drooping wings » (bar 64 to 93) - Tenor
Acte II – Scene : The cave
Choir tenor voice – « Ho,ho,ho » (bar 54 to 68)Acte II – Scene : The grove
Choir tenor voice – « Haste to town » (bar 21 to 33)Acte III – Scene : The ships
Choir tenor voice – « With drooping wings » (bar 64 to 93)Aria from « The Yorkshire Feast Song » H.Purcell
Tenor voice – « So when the glitt’ring Queen of Night » (entire piece) - Baritone
Acte II – Scene : The grove
Aeneas – « Stay, prince » (bar 4 to 33)Acte III – Scene : The ships
Aeneas – « Let jove » (bar 46 to 54)The Indian queen
Aria « I fly from the place » (entire piece) - Bass
Acte II – Scene : The cave
Choir bass voice – « Ho,ho,ho » (bar 54 to 68)Acte II – Scene : The grove
Choir bass voice – « Haste to town » (bar 21 to 33)Acte I – Scene : The baske
Choir bass voice – « To the hills and the vales » (bar 30 to 80)Acte III – Scene : The ships
Choir bass voice – « With drooping wings » (bar 64 to 93)
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Violon 1 voice
2. Acte II – Ritournelle – Violon 1 voice
3. Acte II – Echo dance of furies – Violon 1 voice
4. Acte III – The witche’s dance – Violon 1 voice
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Viola voice
2. Acte II – Ritournelle – Viola voice
3. Acte II – Echo dance of furies – Viola voice
4. Acte III – The witche’s dance – Viola voice
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Bass voice
2. Acte I – « Ah, belinda » – Bass voice
3. Acte II – Echo dance of furies – Bass voice
4. Acte III – The witche’s dance – Bass voice
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Bass voice
2. Acte II – Ritournelle – Bass voice
3. Acte II – Echo dance of furies – Bass voice
4. Acte III – The witche’s dance – Bass voice
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Violin 1 voice (If you play the oboe, perform this piece on the oboe; otherwise, on the recorder)
2. Acte I – Triumphing dance – Violin 1 voice
3. Acte II – Prelude for the witches – Violin 1 voice
4. Acte III – The witche’s dance – Violin 1 voice
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Bass voice (basso continuo)
2. Acte I – « Ah, belinda » – Bass voice (basso continuo)
3. Acte II – Echo dance of furies – Bass voice (basso continuo)
4. Acte III – The witche’s dance – Bass voice (basso continuo)
One piece out of the four for the application (inscription with video)
All pieces for the audition
1. Ouverture – Bass voice (basso continuo with harpsichord)
2. Acte I – « Ah, belinda » – Bass voice (basso continuo with harpsichord)
3. Acte II – Ritournelle – Bass voice (basso continuo with organ)
4. Acte III – The witche’s dance – Bass voice (basso continuo with harpsichord)
REGISTRATION FORM
The registration period is closed
Discover very soon the 2023 promotion of the Young European Baroque Orchestra.
The registration period is closed
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